The Library of Congress announced an update to the Chronicling America upload process this week. In the past, after data had been checked and accepted by the NDNP staff, it was held until periodic updates were made to the site. Now, data will be ingested as soon as it has been accepted, making the turnaround time from digitization to upload a lot quicker.
You can see, in real time, which batches are currently being uploaded: http://chroniclingamerica.loc.gov/events/ Tennessee batches start with “batch_tu_”. batch_tu_dottie and batch_tu_frank were uploaded earlier this week (batch_tu_ernie must still be in the queue). Titles in these batches include the Camden Chronicle, Columbia Herald, Pulaski Citizen, Bolivar Bulletin, Memphis Appeal, Winchester Home Journal, and the Nashville Globe.
I found a fascinating little publication in UT’s Special Collections a few weeks ago. I was doing some research for the next phase of TNDP (NEH grant application pending), when I came across this 1903 booklet, The Journal and Tribune’s Book of Cartoons. The Knoxville-based cartoonist was Ernest E. Burtt. A quick search online led me to a website rich in information about cartoons and cartoonists: the International Team of Comic Historians, aka ITCH. The website contained a page scanned from the May 1913 issue of Cartoons Magazine (see below), featuring many cartoonists, and amongst them – Ernest E. Burtt. The page gives a short bio and even a photo of the artist. The piece also solved the mystery of who the little creature was that kept popping up in the Journal and Tribune‘s editorial cartoons – Rad the dog!
Cartoons Magazine. May 1913. Source: ITCH website, http://superitch.com/
From the publication, the [Knoxville] Journal and Tribune Cartoons, 1903. Source: University of Tennessee Special Collections, Hodges Library
Doing some research in Special Collections here in UT’s Hodges Library yesterday and came across this little gem – an assignment book from the Knoxville Journal & Tribune, 1911. The book gives a day-by-day snapshot of the year’s stories and the reporters assigned to them.
Below is a copy of two pages from exactly 102 years ago this week. The handwriting is a little hard to read but once deciphered, reveals tidbits of local goings-on. (Handwriting hint: the writer places a dash above an ‘n’ and a dash below a ‘u’.)
Each page in the assignment book was divided into “Stories to be in today” and “Look up today.” On October 5, 1911, the editor was expecting a review of Oscar Straus’ 1908 opera “The Chocolate Soldier” which was playing at Staub’s Opera House. Reporter Anderson was given the bulk of stories to look up that day including Ft. Sanders Ladies Aid Society, St John’s orphanage board, and a day nursery meeting.
Unsurprisingly, one of the assignments for Friday is “Football Saturday.” Friday also saw a visit from Congressman Oscar Underwood (House Majority Leader), with the note, “Get interview.”
Ahead of the temporary shutdown of the federal government, the Library alerted patrons that Library websites, except the legislative information sites THOMAS.gov and beta.congress.gov, would be inaccessible in the event of a shutdown.
The Library has restored access to all sites in addition to our legislative information sites. Other legislative branch agencies, and many executive branch agencies with information functions similar to the Library, are granting public access as well.
Chronicling America was updated last week and now contains over 6.6 million pages from more than 1,000 titles published between 1836 and 1922 in 30 states. This latest update includes titles from new awardees West Virginia, Michigan, and Iowa.
A further 27,400 pages of Tennessee newspapers have been made available in this update, bringing our overall total to just over 126,000 pages. The following titles were added:
Union and American [Greeneville], 1875-1877; Herald and Tribune [Jonesborough], 1869-1897; Union Flag [Jonesborough], 1865-1869; Memphis Daily Appeal, 1877-1885; Public Ledger [Memphis], 1875-1883; Sweetwater Forerunner, 1868-1869; Sweetwater Enterprise, 1869-1872; Weekly Herald [Cleveland], 1876- 1881; Winchester Daily Bulletin, 1862-1863; Winchester Home Journal (and its many title variations), 1857-1882.
Weekly Herald [Cleveland, Tenn.]. April 29, 1881.
A list of all Tennessee newspapers currently available on Chronicling America can be found here.
Whenever you spot a typographical error in TNDP’s 19th century newspapers, spare a thought for the compositors who laboriously composed the text by hand. Until the introduction of the linotype machine to the US in the 1880s (more on that later), newspaper text had to be pieced together one letter at a time. As if that wasn’t painstaking enough, the letter on each tiny block was reversed and the text had to be compiled upside down, with the beginning of the text at the bottom. Confused?! No wonder so many b’s and d’s appear as p’s and q’s in those old papers. Blocks of text were created and locked into position. These blocks were then fitted together to form the page.
Manual typesetting – composing stick. By Wilhei (Own work) [CC-BY-3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia Commons
If that whole process wasn’t tedious enough, imagine being the poor soul who had to dismantle it all after printing was complete, and return each letter to the correct case and section.
Although manual typesetting hasn’t been in general use for over a century, several phrases still used in everyday speech have their roots in the printing process. These include:
Stereotype and cliché – to printers, both these words referred to “a solid plate of type-metal, cast from a papier-mâché or plaster mould taken from the surface of a forme of type.” (OED)
Upper/lower case letters – capital letters were stored in the upper case and small letters in the lower case (see photo below).
What better way to begin this series than with one of my all-time favourite jazz musicians:
King of the Vibes, aka Hamp, aka ……. Lionel Hampton!
Chicago Defender. March 21, 1963.
Hamp was not only king of the vibes, he was master of many instruments and had an extensive knowledge of music. He attributed this to his time in the Chicago Defender Newsboys’ Band. “I got my music training from the Defender. […] The paper had a newsboys band when I was a kid growing up in Chicago, and if I know anything about music, I learned it because of the Defender.”
Hampton recalls hearing the sounds of band music emanating from opera star Mme. Ernestine Schumann-Heink’s house every day on his way home from school. “I was so anxious to join that band that I got a job selling newspapers right away.”
Robert Sengstacke Abbott, founder of the Defender, hired Major N. Clark Smith–a strict disciplinarian–to form a band for the newsboys and teach them music. They used Schumann-Heink’s large house for band practice. Hamp remembered, “[Major Clark Smith] was a hard taskmaster, but we learned music. If you wanted to play under his direction, you had to learn harmony and sight reading before you’d even get your instrument. We studied every day after school. The major wouldn’t put up with loafers.”
Thanks to the Defender and Major N. Clark Smith, a young newsboy went on to create a remarkable jazz legacy. No word on Hamp’s newspaper sales though.