Cairola, Stefano. 1946. Arte Italiana del nostro tempo. Saggi critici di: Luciano Anceschi. Bergamo: Istituto italiano d’arti grafiche.
[304 illustrated plates. Other authors: Anceschi, Luciano]
xN6918.C27

Cennini, Cennino. 1859. Il libro dell’arte: o, Trattato della pittura. Firenze: F. LeMonnier.
[Includes index]
ND1130.C38 1859

Cochin, Charles Nicolas. 1758. Voyage d’Italie; ou, recueil de notes sur les ouvrages de peinture & sculpture, qu’on voit dans les principales villes d’Italie. Paris: Chez Ch. Ant. Jombert. [3 volumes.]
N6911.C65

1951-. Costumi popolari italiani...Milano: Görlich.
[83 plates. In portfolio. Plates colored by hand. I. Italia meridionale – Sicilia – Sardegna.]
GT963.G6

Faure, Gabriel. 1927. Meccas of art in northern Italy, Milan, Bergamo, Brescia, Verona, Vicenza, Bassano. New York: Bretano.
[Translated by John Gilmer, water-colours by Pierre Victor Louis Vignal.]
DG428.F39

Fiocco, Giuseppe. [1929]. Venetian painting of the seicento and the settecento. Firenze: Pantheon, casa editrice; New York: Harcourt, Brace and company.
ND621.V5F45

[1914?]. L’illustrazione italiana, La Pinacoteca di Brera. Milan: Fratelli Treves.
[40 pages illustrated. Cover title: Numero di natale e capo d’anno dell’illustrazione italiana.]
xN2670.I4

Malvasia, Carlo Cesere, conte. 1706. Le pitture di Bologna¼Bologna: Piermaria Monti.
[First edition, Bologna, 1686]
N6921.B7M32

Offner, Richard. 1930-. A critical and historical corpus of Florentine painting. New York: College of Fine Arts, New York University.
[Includes bibliographies. Section 3, v. 1-9; Section 4, v. 1-6, supplement.]
xND621.F7O37

1970-. La pittura a Genova e in Liguria. Genova: Sagep.
[2 volumes. (1) dagli inizi al Cinquecento, (2) dal seicento al primo novecento. Text by C. Bozzo Dufour and others. Includes bibliographies and indexes.]
ND619.G45P5

Richardson, Jonathan. 1754. An account of the statues, bas-reliefs, drawings and pictures in Italy, France, etc. with remarks. London: Printed for D. Browne, J. Whiston, B. White, and L. Davis.
ND1130.R53

_____. 1728. Traité de la peinture, et de la sculpture. Amsterdam: H. Uytwerf.
[3 volumes. Other titles: Essay on the whole art of criticism as it relates to painting.]
ND1130.R5

Ridolfi, Carlo. 1648. Le maraviglie dell’arte, ouero le vite de gl’illvstri pittori veneti. Oue sono raccolte le opere insigni, i costumi, & i ritratti. Con la narratione delle historie, delle fauole, e delle moralità dipinte. Descritte dal cavalier Corlo Ridolfi. Venetia: G. B. Sqaua.
[2 volumes in 1. Volume 1 has added title page; engraved. Volume 2 has engraved title page. Historiated initials, head and tailpieces throughout. Illustrations.]
ND34.R5

Venturi, Adolfo. 1901-. Storia dell’Arte Italiana. Milano: U. Hoepli.
[Volumes 1-11, illustrations and plates throughout.]
N6911.V5

Venturi, Lionello. 1907. Le origini della pittura veneziana, 1300-1500. Venezia: Istituto Veneto di Arti Grafiche.
[Illustrations and plates.]
ND621.V5V47

Burnet, John. 1845. Practical hints on composition in painting: illustrated by examples from the great masters of the Italian, Flemish, and Dutch schools. London: James Carpenter.
[Illustrations throughout.]
ND1135.B74 1845

Fréart, Roland, sieur de Chambray. 1668. An idea of the perfection of painting: demonstrated from the priciples of art, and by examples comformable to the observations, which Pliny and Quintilian have made upon the most celebrated pieces of the ancient painters, parallel with some of the works of the most famous modern painters, Leonardo da Vinci, Raphael, Julio Romano, and N. Poussin. [London]: H. Herringman.
[Other authors: Evelyn, John. Written in French and rendered in English by J.E. Esquire, fellow of the Royal Society.]
ND1130.F68

Toesca, Pietro. c. 1955. La Cappella palatina di Palermo: I mosaici. Roma: Edizioni Mediterranee.
[53 colored plates. Bibliographical references included in “Note”.]
xNA5621.P3T6

Wilpert, Josef. 1916. Die römischen Mosaiken und Malereien der Kirchlichen bauten vom IV bis XIII. Jahrhundert. Freiburg im Breisgau, Herder.
[4 volumes; illustrations throughout. Subject: Rome, Christian art and symbolism, mosaic painting and decoration.]
xN7952.W5

Kaftal, George. [1952]. Iconography of the saints in Tuscan painting. Florence: Sansoni.
[Edition limited to 1000 numbered copies of which this is number 625. Illustrations and colored plates.]
N8080.K25

Baldinucci, Filippo. 1686. Cominciamento, e progresso dell’arte dell’intagliare in rame...Firenze: Stamperia di P. Matini.
[Engraved title vignette (device of the Accademia della Crusca). With this is bound the author’s Vocabolario toscano...]
NE1050.B3 1686

Blake, William. 1899. XVII designs to Thornton’s Virgil reproduced from the original woodcuts MDCCCXXI. Portland, Maine: Thomas B. Mosher.
[Contains: The first eclogue of Virgil, translated by Samuel Palmer. Etc.]
NE1112.B43S4

Brant, Sebastian. 1930. Descensus Averno: fourteen woodcuts reproduced from Sebastian Brant’s Virgil. Stanford University, Calif: Stanford University Press; London: H. Milford, Oxford University Press.
[Frontispiece accompanied by guard sheet with descriptive letterpress.]
NE1255.B8B7

Hind, Arthur Mayger. 1938-1948. Early Italian Engraving; a critical catalogue with complete reproductions of all the prints described. London: Publ. for M. Knoedler, New York, by B. Quaritch.
[2 volumes in 7. Part 2 has imprint: London, Pub. For the National Gallery of Art, Washington, by B. Quaritch. Includes bibliographies.]
xNE659.H5

Avery, Myrtilla. 1936-. The Exultet rolls south Italy. Princeton: University Press; London: Oxford University Press.
[2 volumes. In portfolio. Printed in Germany.]
ND3380.E9A8

Chiarelli, Renzo. 1968. I codici miniati del Museo di S. Marco a Firenze. Firenze: Bonechi.
[Illustrations and 32 plates. Bibliography: p. 45-46.]
xND2898.F5C45

1974. The Grimani breviary, reproduced from the illuminated manuscript belonging to the Biblioteca Marciana, Venice. Woodstock, N.Y.: Overlook Press.
[110 color plates and 29 black-and-white illustrations. Bibliography: p. 271-276.]
ND3365.G7 1974

Kraus, H. P. (Firm, booksellers). Catalogues. New York.
[Book catalogues containing illuminated manuscripts, incunabula, and rare books from Italy. Medieval – 18th century. Books – prices.]
Z999.K88

René I, King of Naples and Jerusalem. 1844-46. Oeuvres complètes du roi René, avec une biographie et des notices par M.le comte de Quarrebarbes, et un grand nombre de dessins et ornements, d’après les tableaux et manuscrits originaux par M. Hawke. Angers: Impr. De Cosnier et Lachèse.
[4 volumes. Illustrated added title pages, engraved.]
PQ1579.A1 1844

Salmi, Mario. c1954. Italian miniatures. New York: Abrams.
[Illustrated. Illumination of books and manuscripts – Italy. Includes bibliography: p. 199-202.]
ND3159.S3 1954

Smith, Webster. [1976?]. The Farnese Hours, The Pierpont Morgan Library, New York. New York: G. Braziller. [Illustrations and 26 pages of color plates. Reproduction from the Illuminated Manuscript (M69) belonging to The Pierpont Morgan Library in New York. “The Farnese Hours...completed...for Alesandro Cardinal Farnese, [Pope Paul III]” in 1546 by Giulio Clovio. Bibliography: p. 167.]
ND3363.F37S5

Bloch, Raymond. [1959]. Etruscan Art. Greenwich, Conn: New York Graphic Society.
[85 plates, illustrated throughout.]
N5751.B55 1959

Grant, Michael. 1975. Eros in Pompeii: the secret rooms of the National Museum of Naples. New York: William Morrow & Co.
[Photographs by Antonia Mulas: and a description of the collection by Antonia De Simone and Maria Teresa Merella. Originally published in Italian under the title: Eros a Pompei; published in Great Britain under the title: Erotic Art in Pompeii. Selected bibliography: p. 170.]
N8217.E6G7313

Roccheggiani, Lorenzo. [1804]. Raccolta di cento tavole rappresentanti i costumi religiosi civili degli antichi Egiziani, Etruschi Greci, e Romani tratti dagli antichi monumenti. Roma: G. Raffaelli.
[2 volumes. Engraved title pages. Title pages vary. Each volume consists of one hundred plates having descriptive text at bottom.]
NB69.R6

Salmi, Mario. 1928-9. Romanesque sculpture in Tuscany. Firenze: Rinascimento del libro.
NB619.T9S3

Spence, Joseph. 1747. Polymetis: or, An enquiry concerning the agreement between the works of the Roman poets, an the remains of the ancient artists; being an attempt to illustrate them mutually from one another. London: R. Dodsley.
[41 leaves of plates. Includes index.]
xNB115.S65 1747

Wilpert, Josef. 1916. Die römischen Mosaiken und Malereien der Kirchlichen bauten vom IV bis XIII. Jahrhundert. Freiburg im Breisgau, Herder.
[4 volumes; illustrations throughout. Subject: Rome, Christian art and symbolism, mosaic painting and decoration.]
xN7952.W5

Dante Alighieri. 1905. San Francesco d'Assisi nel poema di Dante e negli affreschi di Giotto. Firenze: Editori Giulio Giannini e figlio.
[From the poet's Paradiso, canto II. Riproduzione della cromolitografia E Berardi di Milano"--Colophon. The life of St. Francis of Assisi from Dante's poem" (translated by Longfellow). Color illustrations and ornamentation throughout]
BX4700.F6G55

Giotto. [1931]. Giotto, the legend of St. Francis as depicted in the Assisi frescoes. New York: E.P. Dutton & Co., inc.; London and Toronto: J.M. Dent & sons, ltd.
[Frescoes faithfully copied by Edith M. Cowles: with a foreward by G.K. Chesterton. The text describing the plates is more or less a free rendering from the Italian version of St. Bonaventura’s life of St. Francis. Issued in portfolio.]
xND623.G6A34

_____. c1985. Giotto. Padova: Piccin.
[Note storiche e testi critici di Giorgio Bonsanti; recerche iconografiche e cura delle immagini di Aldo Martello. 266 pages of plates: 187 color illustrations. Bibliography: p. [61-62].]
folioND623.G6A4

Guillaud, Jacqueline. 1987. Giotto, architect of color and form. New York: C.N. Potter.
[Includes index and bibliography.]
ND623.G6G85 1987

1939. La Maestà di Duccio di Buoninsegna: storia e poesia di un dipinto. Siena: O. Turbanti tip. Editore.
[16 leaves of plates. Illustrations. Includes bibliographical references.]
ND623.B63M3

Offner, Richard. <c1989, 1993>. A Critical and historical corpus of Florentine painting. [Florence]: Giunti.
[4 volumes. Includes bibliographical references and indexes.]
xND621.F7O37

_____. 1981. A Critical and historical corpus of Florentine painting: the fourteenth century – supplement. New York: The Institute of Fine Arts, New York University; distributed by J.J. Augustin, Locust Valley, NY, 1981.
[Plates. Legacy of attributions.]
xND621.F7O372

Venturi, Lionello. 1907. Le origini della pittura veneziana, 1300-1500. Venezia: Istituto Veneto di Arti Grafiche.
[Illustrations and plates.]
ND621.V5V47

Vitzthum, Georg, G. [c.1924]. Die Malerei und Plastik des Mittelalters in Italien. Wildpark-Potsdam: Akademische verlagsgesellschaft Athenaion, m.b.h.
[Illustrations and plates throughout. Issued in 8 parts, 1914-25. The general introduction on medieval art and the chapters on early medieval painting and sculpture, p. 1-113, are by Vitzthum; the chapters on late medieval sculpture and painting, p. 114-332, are by Volbach. Other authors: Volbach, Wolfgang Friedrich.]
N6913.V5 1924

Voss, Hermann. [1925]. Die Malerei des Barock in Rom. Berlin: Propyläen-Verlag.
[Illustrations. Includes bibliographies and index. Continues: Malerei der Spätrenaissance in Rom und Florenz. 1920.]
ND620.V7

Arcimboldi, Giuseppe. c1980. Arcimboldi. Milano: F.M. Ricci.
[Illustrations. Other authors: Barthes, Roland; Bonito Oliva, Achille; Ferrari, Corinna; Porzio, Francesco.]
xND623.A7A4 1980

Berti, Luciano. 1964. Mantegna. Milano: Milano Arto Grafiche.
[Translation by Peter Cook. Translation of Mantegna.]
xND623.M3B4413

Borghini, Raffaello. 1584. Il riposo di Raffaello Borghini...Fiorenza: Appresso Giorgio Marescotti.
[Title vignette; tailpieces; initials.]
N7420.B7 1584

Canuti, Fiorenzo. [1931]. Il Perugino...Siena: Editrice d’arte “La Diana”.
[2 volumes. Illustrated throughout.]
xND623.P4C3

Ettlinger, Leopold D. 1978. Antonio and Piero Pollaiuolo: complete edition. Oxford: Phaidon; New York: Dutton.
[Illustrations throughout. Includes indexes. Bibliography: p. 174-176.]
N6923.P6E88 1978

Finn, David. [1973]. Donatello, prophet of modern vision. New York: Abrams.
[Photos by David Finn. Text by Frederick Hartt. Illustrated throughout. Bibliography: p. 479.]
xNB623.D7H37

Fröhlich-Bum, Lili. 1921. Parmigianino und der Manierismus. Wien: A. Schroll & co., g.m.b.h.
[Illustrations.]
xND623.M5F7

Guillaud, Jacqueline. 1986. Fra Angelico: the light of the soul. New York: Clarkson N. Potter.
[Illustrations.]
ND623.A5393G85 1986

Lomazzo, Giovanni Paolo. 1844. Trattato dell’arte della pittura, scultura ed architecttura, di Giovanni Lomazzo...diviso in sette libri. Roma: Presso S. Del – Monte.
[3 volumes.]
N7420.L6 1844

Mantegna, Andrea. [1963?]. Paintings. New York: H.N. Abrams.
[Illustrations, 30 color plates. Other authors: Fiocco, Giuseppe.]
ND623.M3F46

Massacio. [195?]. Masaccio: Brancacci Chapel, church of Santa Maria del Carmine, Florence. Milan: Amilcare Pizzi Art Publications in collaboration with UNESCO.
[First in a series dedicated to the artists and various periods in Italian art. Introduction by Mario Salmi. 28 color plates from the Silvana Collection with details in life size.]
xND623.M43S33

Neilson, Katharine Bishop. 1938. Filippino Lippi, a critical study. Cambridge, Mass.: Cambridge University Press.
[Illustrations. Bibliography: p. [221]-230.]
ND623.L67N4

Pallucchini, Rodolfo. [1961]. I teleri del Carpaccio in San Giorgio degli Schiavoni. [Milano]: Rizzoli.
[Illustrations and 42 colored plates. Bibliography: p. 99-100.]
xND623.C3P33

Planiscig, Leo. 1921...Venezianische Bildhauer der Renaissance. Wein: A. Schroll & Co., g.m.b.h.
[Mit 711 Abbildungen.]
xNB621.V5P5

[n.d.]. Reproductions of selected paintings. [n.p.]
[3 volumes. Volume 1: Italian Renaissance.]
ND50.R3

Tintoretto, 1922. Zeichningen des Giacomo Tintoretto. Berlin: P. Cassirer.
[72 plates. Each plate accompanied by leaf with description in German, English, and Italian. Other authors: Hadeln, Detlev, Freiherr von.]
xNC257.T53H2

Veronese. [1928]. Paolo Veronese, 1528-1588. Bologna: Casa Editrice Apollo.
[Illustrations.]
xND623.V5A35

Zanotti, Giampietro. 1756. Le pitture di Pellegrino Tibaldi e di Niccolò Abbati esistenti nell’Instituto di Bologna. Venezia: G. Pasquali.
[42 plates.]
xxND623.P3Z3

Bode, Wilhelm von. 1922-. Die italienischen Bronzestatuetten der Renaissance. Berlin: B.Cassirer.
[Illustrations and plates. Italian bronzes and Renaissance sculpture.]
NB1230.B58 1922

Hill, George Francis Sir. 1912. Portrait medals of Italian artists of the Renaissance. Illustrated and described, with an introductory essay on the Italian medal. London: P.L.Warner, publisher of the Medici society, limited.
[92 pages of plates.]
CJ6201.H54

Planiscig, Leo. 1921. Venezianische Bildhauer der Renaissance. Wein: A. Schroll & Co.
[Illustrations.]
xNB621.V5P5

Fréart, Roland, sieur de Chambray. 1668. An idea of the perfection of painting: demonstrated from the priciples of art, and by examples comformable to the observations, which Pliny and Quintilian have made upon the most celebrated pieces of the ancient painters, parallel with some of the works of the most famous modern painters, Leonardo da Vinci, Raphael, Julio Romano, and N. Poussin. [London]: H. Herringman.
[Other authors: Evelyn, John. Written in French and rendered in English by J.E. Esquire, fellow of the Royal Society.]
ND1130.F68

Leonardo, da Vinci. [1953]. Leonardo da Vinci. Milano: A. Pizzi.
[Testo di Paolo d’Ancona. 30 colored plates. Issued in portfolio.]
xND623.L5A76

_____. 1974. Madrid codices. English and Latin. New York: McGraw-Hill.
[5 volumes. Illustrated. Bibliography, volume 3.]
Z6616.L58R47

Wohl, Hellmut. [1967]. Leonardo da Vinci. New York: McGraw-Hill.
[Illustrated. 20 color slides (in pockets).]
ND623.L5W6

Delacre, Maurice. 1938. Le dessin de Michel-Ange. Bruxelles: Palais des académies.
[Illustrations and plates. Bibliography: p. [xxv]-xxx.]
NC257.B8D4

Hartt, Frederick. 1991. The Sistine Chapel. London: Barrie & Jenkins in association with Nippon Network Television.
[2 volumes. In publisher’s slipcase. Commentary on the plates by Gianluigi Colalucci; notes on the restoration by Fabrizio Mancinelli; photographs by Takashi Okamura. Bibliography included.]
xND623.B9M2713 1991

Michelangelo, Buonarroti [1965]. Drawings of Michelangelo; 103 drawings and facsimiles. New York: G. Braziller.
[Foreward by Marco Salmi. Introduction by Charles de Tolnay. Critical notes by Paola Barocchi. Translated from the Italian by Anna Teresa Callen. Bibliography: p. [19]- [21]. Plates throughout].
xNC257.B8S3

_____. 1897. Die Dichtungen des Michelangniolo Buonarroti. Berlin: G. Grote.
[2 leaves of plates. Illustrations. Includes bibliographical references. Other authors: Frey, Karl.]
PQ4615.B6 1897

Steinmann, Ernst. 1927. Michelangelo Bibliographie 1510-1926, herausgegeben von Ernst Steinmann und Rudolf Wittkower. Leipzig: Klinkhardt & Biermann.
[Continuation by Hans Werner Schmidt included in the author’s Michelangelo im Spiegel seiner Zeit, Leipzig, 1930.]
Z8572.S82

1970. Studies in erotic art by Theodore Bowie and others. New York: Basic Books.
[Includes: The metaphors of love and birth in Michelangelo’s Pietas by L. Steinberg. Includes bibliographical references.]
N8217.E6S8

Thode, Henry. 1908-1913. Michelangelo; kritische Untersuchungen über seine Werke. Berlin: G.Grote.
[3 volumes.]
N6923.B9T5

_____. 1912. Michelangelo und das Ende der Rennaissance. Berlin: G. Grote’sche Verlagsbuchhandlung.
[2nd edition. 3 volumes in 4: illustrations throughout. Contents: Bd. 1. Das Genie und die Welt. – Bd. 2. Der Dichter und die Ideen der Renaissance. – Bd. 3. Der Künstler und seine Werke. 2 v.]
N6923.B9T5

Vignola. [dedication 1635]. Regola delli cinqve d’architettvra, di Iacomo Barozzio di Vignola. Siena: B. Oppi.
[45 plates, includes title page, dedication leaf and special title page. Plates and title pages are for the most part reversed copies of the 1607-1610 edition. 19th century inscriptions by members of the Gropelli family. Other authors: Michelangelo Buonarroti, 1475-1564.]
NA2810.V6 1635

Dryhurst, Alfred Robert. [1909]. Raphael. London: Methuen.
[Illustrated. 2nd edition. Bibliography: p. 199-206.]
ND623.R2D7 1909

Fréart, Roland, sieur de Chambray. 1668. An idea of the perfection of painting: demonstrated from the priciples of art, and by examples comformable to the observations, which Pliny and Quintilian have made upon the most celebrated pieces of the ancient painters, parallel with some of the works of the most famous modern painters, Leonardo da Vinci, Raphael, Julio Romano, and N. Poussin. [London]: H. Herringman.
[Other authors: Evelyn, John. Written in French and rendered in English by J.E. Esquire, fellow of the Royal Society.]
ND1130.F68

Geymüller, Heinrich Adolf, Freiherr von. 1875. Die ursprünglichen Entwürfe für Sanct Peter in Rom von Bramante, Raphael Santi, Fra Giocondo, den Sangallo’s u.A.m. Nebst zahlreichen Ergänzungen, und einem Texte...Wien: Lehmann und Wentzel; Paris: Verlag von J. Baudry.
[Illustrations. Subject: Basilica di San Pietro in Vaticano]
NA5620.S9G4

_____. 1875. Ls projets primitiffs pour la basilique de Saint-Pierre de Rome; par Bramante, Raphael Sanzio, Fra-Giocando, Les Sangallo...avec des restitutions nombruses et un texte. Paris: Baudry.
[1 volume, illustrated. Text in French and German.]
xxNA5620.S9G4 Plates

Raphael. [1979?]. A masterpiece close-up: the Transfiguration by Raphael. Vatican Museums and Galleries, Vatican City. [Vatican City]: Libreria Editrice Vaticana.
[Essay by Fabrizio Mancinelli; photographic study by John J. McCann and Victoria Lyon Ruzdic. Bibliography: p. 67.]
ND623.R2V38

Magnasco, Alessandro. 1949. Magnasco. Bergamo: Instituto Italiano d’Arti Graphiche.
[494 plates. At head of title: Benno Geiger. Index and bibliography: p. [165]-179.]
ND623.M23G4

Molmenti, Pompeo Gherardo. [1909]. G.B. Tiepolo, la sua vita e le sue opere. Milano: U. Hoepli.
[Illustrations and plates. Bibliography included in notes at the end of each chapter.]
ND623.T5M65

Sack, Eduard. 1910. Giambattista und Domenico Tiepolo: ihr Leben und ihre Werke. Hamburg: H. v. Clarmanns Kunstverlag.
[Illustrations and 20 leaves of plates. Bibliography: Literatur: p. 349-350, Register: p. 351-356.]
xND623,T5S3

[1909-]. Direzione del movimento futurista, Milan. Pamphlets. Milano.
[5 volumes of pamphlets. Binder’s title. Many of the pamphlets written by F.T. Marinetti.]
NX600.F8D58 no. 1-5

[1977]. Esposizioni futuriste: 1912-1918. Firenze: SPES.
[Title from slipcase. In Italian, French, English and German. “Cronologie e documenti” pt. 26. Illustrations throughout. Other authors: Pacini, Piero.]
N6918.5.F8E8

Gesellschaft zur Förderung moderner Kunst. 19--. Die Futuristen: Umberto Boccioni, Carlo D. Carra, Luigi Russolo, G. Serverini. Berlin: Gesellischaft zur Förderung moderner Kunst.
[Illustrations.]
ND196.F8G4

Osma, Guillermo de. 1980. Mariano Fortuny, his life and work. New York: Rizzoli.
[Illustrations. Includes index. Bibliography: p. [221]-[223].]
N7113.F5808 1980

Parrish, Maxfield. [1973]. Maxfield Parrish: the early years, 1893-1930. Los Angeles: Nash.
[Commentary by Paul Skeeters. Chiefly illustrated.]
xNC975.5.P26S62

Bellini, Iacopo. 1908-12. Les dessins de Jacopo Bellini au Louvre et au British museum. Bruxelles: G. van Oest & cie.
[2 volumes. Plates. Bibliographical footnotes. Other authors: Goloubew, Victor; Museé du Louvre. Départment des peintures, des dessins et de la chalcographie; British Museum. Department of Prints and Drawings.]
xNC257.B4A3

Doria, Gino. [1965]. La Floridiana: la villa, il museo. [Cava dei Tirreni]: di Mauro.
[Illustrations and 61 plates. Bibliographical references included in “Note” p. 79-82.]
NK3730.N3D6

Florence. Commissione della Mostra Giottesca. [1943]. Pittura italiana del duecento e trecento, catalogo della Mostra giottesca di Firenze del 1937, a cura de Giulia Sinibaldi e Giulia Brunetti – illustrzioni. Firenze: Sansoni.
[Bibliography: p. 613-622. Illustrations.]
ND613.F5

Florence, Italy. R. Galleria degli Uffizi. 1912-21. I disegni della R. Galleria degli Uffizi in Firenze...Firenze: L.S. Olschki.
[20 volumes. Mounted illustrations and plates throughout. Cover-title. In portfolios. Text by Carlo Gamba, Carlo Loeser, P.N. Ferri and others.]
xxNC255.F6

Giglioli, Odoado Hillyer. 1922. The drawings of the Royal Gallery of the Uffizi in Florence. Florence: Olschki.
[A discussion of the text of “I desegni della R. Galleria degli Uffizi in Firenze” (Firenze, L.S. Loschki, 1912-21. 20 portfolios).]
NC255.G5 1922

Grant, Michael. 1975. Eros in Pompeii: the secret rooms of the National Museum of Naples. New York: William Morrow & Co.
[Photographs by Antonia Mulas: and a description of the collection by Antonia De Simone and Maria Teresa Merella. Originally published in Italian under the title: Eros a Pompei; published in Great Britain under the title: Erotic Art in Pompeii. Selected bibliography: p. 170.]
N8217.E6G7313

Konody, Paul G. 1912. The Uffizi Gallery, with fifty reproductions in color of its most famous pictures. London, Edinburgh: T.C. & E.C. Jack.
[Each plate accompanied by a guard sheet with descriptive letterpress.]
N2570.K6

Matthiae Scandone, Gabriella. 1975. Scarabei e scaraboidi egiziani ed egittizzanti del Museo Nazionale di Cagliari. Roma: Consiglio nazionale delle ricerche.
[Illustrations and plates throughout. Errata slip inserted.]
NK5561.M37 1975

Pinacoteca Nazionale di Siena. 1978. La Pinacoteca nazionale di Siena: I dipinti dal XV al XVIII secolo. Genova: Sagep.
[Illustrations. Includes index. Bibliography: p. 411-416. Other authors: Torriti, Piero.]
ND160.S53 1978

Raphael. [1979?]. A masterpiece close-up: the Transfiguration by Raphael. Vatican Museums and Galleries, Vatican City. [Vatican City]: Libreria Editrice Vaticana.
[Essay by Fabrizio Mancinelli; photographic study by John J. McCann and Victoria Lyon Ruzdic. Bibliography: p. 67.]
ND623.R2V38

Smith, Webster. [1976?]. The Farnese Hours, The Pierpont Morgan Library, New York. New York: G. Braziller. [Illustrations and 26 pages of color plates.
Reproduction from the Illuminated Manuscript (M69) belonging to The Pierpont Morgan Library in New York. “The Farnese Hours...completed...for Alessandro Cardinal Farnese, [Pope Paul III]” in 1546 by Giulio Clovio. Bibliography: p. 167.]
ND3363.F37S5

Tiepolo, Giovanni Battista. [1946]. Le cahier de dessins des Tiepolo au Musée Correr de Venise. Venezia: B. Guarnati.
[At head of title: Giulio Lorenzetti. “Reproduction en fac-similé.” Other authors: Tiepolo, Giovanni Domenico; Lorenzetti, Giulio; Museo Correr.]
xNC257.T5L6

Fratelli Alinari. [1900-1914]. Photographs of Italy. [Florence: Fratelli Alinari.]
[15 volumes in 17, illustrations throughout. Albums of photographs issued without title page.]
N4035.F7