The University of Tennessee

Allen Tate

Names: John Orley Allen Tate
Born: November 19, 1899
Died: February 9, 1979
Ethnicity: Caucasian
Hometown: Winchester, KY
Residence: Nashville, TN
Education: BA Vanderbilt, 1922
Career: Lecturer Southwestern College, 1934-1936; Lecturer UNC Women's College, 1938-1939; Poet-in-residence Princeton, 1939-1942; Poetry Consultant Library of Congress, 1944-1945; Editor Sewanee Review, 1944-1946; Editor Henry Holt and Company, 1946-1948; Lecturer NYU, 1948-1951;  Professor Minnesota, 1951-1968
Awards: Guggenheim Fellowship, 1928-1929; National Institutes of Arts and Letters Award, 1948; Bollingen Prize, 1956; Brandeis University Medal, 1961; Dante Society Gold Medal, 1962; Fellow American Academy of Arts and Letters, 1964; Fellow American Academy of Arts and Sciences, 1965
Genres: Novels, Poetry, Criticism, Other Nonfiction

Internet Sites:

Biography:

Allen Tate was born John Orly Allen Tate in Winchester, KY on November 19, 1899.  His parents, John Orly Tate and Eleanor Varnell Tate, had two sons already.  The family moved frequently because his father's businesses failed regularly; they survived by selling parcels of inherited land to make ends meet.  The moves made Tate's early education somewhat uneven.  He had to be tutored in mathematics to gain acceptance toVanderbilt University, although he showed skill in other fields, including languages and music.  He was particularly well-read, perhaps because of his mother's influence; she was an avid reader.

He originally planned to be a musician, but at Vanderbilt he took classes from John Crowe Ransom and Walter Curry, two members of the Fugitives.  Tate found a congenial spirit in Ransom and the other members of the group. His knowledge of poetry, particularly French poets Ransom was unfamiliar with, impressed the group.  He joined the circle and his interests turned to literature rather than music.

Ransom was using the group as a sounding board for his work and ideas.  He brought his own work to read and garner criticism, and encouraged others to do the same.   The circle also discussed literature and attempted to formulate literary theory.  Tate embraced this work enthusiastically.  He was one of the most active editors of the group's literary magazine, Fugitive.  He also wrote for the magazine under the pseudonym Henry Feathertop.

Participation in the Fugitives gave Tate an early and thorough education in writing, editing and literary theory.  Of course, he was also receiving a more formal education at Vanderbilt.  He graduated at the top of his class in 1922.  After graduation, Tate continued to be vitally involved in the Fugitives.  He remained in Nashville, roomed with Robert Penn Warren (another Fugitive), and wrote and edited for Fugitive.  In 1924, however, he moved to West Virginia to teach secondary school.  He married Caroline Gordon, a fellow writer, in the end of that year.  The couple moved to New York City, both determined to become professional writers.

Breaking into the profession was difficult, however.  Tate and his family survived by editing and other jobs.  Gordon eventually secured a position as the secretary for Ford Madox Ford.  After learning the pinched circumstances they lived in, Ford secured a Guggenheim Fellowship for Tate.  The family moved abroad, enjoying a year in Paris and the freedom to write.  While in Paris they met the many expatriate Americans who had settled or visited there at the end of the 1920s--Gertrude Stein, Ernest Hemingway, and F. Scott Fitzgerald, among others. Tate embraced the American expatriate lifestyle in Paris, but the work he produced during and after his trip was firmly rooted in American concerns.  Tate was especially interested in the South.  He published biographies of Southern leaders of the Civil War in 1928 and 1929.  Ostensibly works of biography, the two books actually reflect Tate's cultural and social ideas about the South.  Tate also continued to write poetry, edit works by former Fugitives, and contribute ideas and essays to the nascent Agrarian movement.

The Agrarians asserted the value of rural, agricultural life, particularly Southern agricultural life, in the modern industrial world.  Given Tate's family background, this movement must have struck a chord.  His father's business failures, the slow loss of an ancestral inheritance, and the consequent suffering and disgrace, were the story of the entire rural Southern aristocracy writ small.

During the Depression Tate and his family lived in Clarksville, TN, where Tate's brother had purchased an old house for them.  There, Tate wrote some of his best poetry, including  "The Mediterranean".   Tate also finished his Civil War novel, The Fathers, in 1938.  The novel was a critical, but not a popular, success.  The family moved frequently for the next thirteen years, but in 1951 Tate found a position at the University of Minnesota.  They remained in Minnesota until he retired, although Tate and Gordon divorced in 1959.  After the divorce, Tate remarried and started a second family. When he retired in 1968, Tate and his new wife and children returned to Tennessee, where he remained until his death in 1979.

Tate wore so many hats it is difficult to categorize him.  He made significant contributions as a poet, editor, critic, translator, and  teacher.  His interest in the value of tradition, the collapse of order and meaning in the modern world, and the need to recreate a new order rooted in the past is evident in his poetry, essays, books, and literary criticism. 

--Jennifer Duke-Sylvester

References:

  • Hart, James A.  “Allen Tate.”  Dictionary of Literary Biography, Volume 45, Peter Quartermain, ed.  Detroit: Gale Research Company, 1986.
  • Jones, James T.  “Allen Tate.”  Dictionary of Literary Biography, Volume 63, Gregory S. Jay, ed.  Detroit: Gale Research Company, 1988.
  • Wilkie, Everett C, Jr.  “Allen Tate.”  Dictionary of Literary Biography, Volume 4, Karen Lane Rood, ed.  Detroit: Gale Research Company, 1980.

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Primary Bibliography:  

  • The Golden Mean and Other Poems, privately printed, 1923
  • Stonewall Jackson: The Good Soldier, A Narrative, Minton, Balch, 1928
  • Mr. Pope and Other Poems, Minton, Balch, 1928
  • Jefferson Davis: His Rise and Fall, a Biographical Narrative, Minton,  Balch, 1929
  • Ode to the Confederate Dead, Being the Revised and Final Version of a Poem Previously Published on Several Occasions; To Which Are Added Message From Abroad and The Cross, Minton, Balch, 1930
  • Poems: 1928-1931, Scribners, 1932
  • The Mediterranean and Other Poems, Alcestis Press, 1936
  • Reactionary Essays on Poetry and Ideas, Scribners, 1936
  • Selected Poems, Scribners, 1937
  • The Fathers, Putnam's , 1938
  • Reason in Madness: Critical Essays, Putnam's, 1941
  • Sonnets at Christmas, Cummington Press, 1941
  • Invitation to Learning, Random House, 1941
  • The Winter Sea: A Book of Poems, Cummington Press, 1944
  • Fragment of a Meditation/MCMXXVIII, Cummington Press, 1947
  • Poems, 1920-1945, Eyre & Spottiswoode, 1947
  • On the Limits of Poetry: Selected Essays, 1928-1948, Swallow/Morrow, 1948
  • Poems, 1922-1947, Scribners, 1948
  • The Hovering Fly and Other Essays, Cummington Press, 1948
  • Two Conceits for the Eye to Sing, If Possible, Cummington Press, 1950
  • The Forlorn Demon: Didactic and Critical Essays, Regnery, 1953
  • The Man of Letters in the Modern World, Selected Essays: 1928-1955, Meridian, 1955
  • Collected Essays, Swallow, 1959; revised as Essays of Four Decades, Swallow, 1968
  • Poems, Scribners, 1960
  • Christ and the Unicorn, Cummington Press, 1966
  • Mere Literature and the Lost Traveller, George Peabody College for Teachers, 1969
  • The Swimmers and Other Selected Poems, Oxford U Press, 1970
  • The Translation of Poetry, Library of Congress, 1972
  • Memoirs and Opinions, 1926-1974, Swallow, 1975; republished as Memoirs & Essays Old and New, 1926-1974, Carcanet, 1976
  • Collected Poems, 1919-1976, Farrar, Straus & Giroux, 1977

Correspondence:

  • Fain, John Tyree, and Thomas Daniel Young, editors. The Literary Correspondence of Donald Davidson and Allen Tate. Athens: University of Georgia Press, 1974
  • Young, Thomas Daniel, and John J. Hindle, editors. The Republic of Letters in America: The Correspondence of John Peale Bishop & Allen Tate. Lexington: University Press of Kentucky, 1981
  • Young, Thomas Daniel, and Elizabeth Sarcone, editors. The Lytle-Tate Letters: The Correspondence of Andrew Lytle and Allen Tate. Jackson: University Press of Mississippi, 1987
  • Dunaway, John M., editor. Exiles and Fugitives: The Letters of Jacques and Raïssa Maritain, Allen Tate, and Caroline Gordon. Baton Rouge: Louisiana State University Press, 1992
  • Vinh, Alphonse, editor. Cleanth Brooks and Allen Tate: Collected Letters, 1933-1976. Columbia: University of Missouri Press, 1998

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Secondary Bibliography:  

Bibliography:

  • Fallwell, Marshall. Allen Tate: A Bibliography. New York: D. Lewis, 1969

Biography:

  • Doreski, William. The Years of Our Friendship: Robert Lowell and Allen Tate. Jackson: University of Mississippi Press, 1990
  • Squires, Radcliffe. Allen Tate: A Literary Biography. New York: Pegasus, 1971
  • Sullivan, Walter. Allen Tate: A Recollection. Baton Rouge: Louisiana State University Press, 1988
  • Underwood, Thomas A. Allen Tate: Orphan of the South. Princeton, NJ: Princeton University Press, 2000

Criticism:

  • Arnold, Willard Burdett. The Social Ideas of Allen Tate. Boston: Bruce Humphries, 1955
  • Bishop, Ferman. Allen Tate. New York: Twayne Publishers, 1967
  • Brinkmeyer, Robert H. Three Catholic Writers of the Modern South. Jackson: University Press of Mississippi, 1985
  • Carrithers, Gale H. Mumford, Tate, Eiseley: Watchers in the Night. Baton Rouge: Louisiana State University Press, 1991
  • Dupree, Robert S. Allen Tate and the Augustinian Imagination: A Study of the Poetry. Baton Rouge: Louisiana State University Press, 1983
  • Hammer, Langdon. Hart Crane and Allen Tate: Janus-Faced Modernism. Princeton, N.J.: Princeton University Press, 1993
  • Hemphill, George. Allen Tate. Minneapolis: University of Minnesota Press, 1964
  • Huff, Peter A. Allen Tate and the Catholic Revival: Trace of the Fugitive Gods. New York: Paulist Press, 1996
  • Jancovich, Mark. The Cultural Politics of the New Criticism. Cambridge: Cambridge University Press, 1993
  • Malvasi, Mark G. The Unregenerate South: The Agrarian Thought of John Crowe Ransom, Allen Tate, and Donald Davidson. Baton Rouge: Louisiana State University Press, 1997
  • Meiners, R. K. The Last Alternatives: A Study of the Works of Allen Tate. Denver: A. Swallow, 1963
  • ___. Everything to Be Endured: An Essay on Robert Lowell and Modern Poetry. Columbia: University of Missouri Press, 1970
  • Schöpp, Joseph C. Allen Tate: Tradition Als Bauprinzip Dualistischen Dichtens. Bonn: Bouvier Verlag H. Grundmann, 1975
  • Squires, Radcliffe. Allen Tate and His Work: Critical Evaluations. Minneapolis: University of Minnesota Press, 1972
  • Stewart, John L. The Burden of Time: The Fugitives and Agrarians; the Nashville Groups of the 1920's and 1930's, and the Writing of John Crowe Ransom, Allen Tate, and Robert Penn Warren. Princeton, NJ: Princeton University Press, 1965

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Allen Tate
Contact:

Tennessee Authors Project
UT Libraries
University of Tennessee
Knoxville, TN 37996-1000

Phone: 865-974-8693
Fax: 865-974-9242
 

Photo credit: Library of Congress.