Books and CDS

• Audible Traces: Gender, Identity, and Music. Barkin, Elaine and Lydia Hamessley (eds.) [ML82.A93 1999 & CD12723]
• Encrypted Messages in Alban Berg’s Music. Bruhn, Siglind (ed.) [ML410.B47 E53 1998]
• Gay American Composers (sound recording). [M178 .G39 1996]
• Gay American Composers. Volume Two (sound recording). [M178 .G39 1997]
• Lesbian American Composers (sound recording]). [M1977.W64 L474 1998]
• Liberace: An American Boy. Pyron, Darden Asbury. [ML417.L67P97 2000]
• Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig. Peraino, Judith Ann. [ML3838.P365 2006]
• Musicology and Difference: Gender and Sexuality in Music Scholarship. Solie, Ruth A. (ed.) [ML3838.M96 1993]
• The Queen’s Throat: Opera, Homosexuality, and the Mystery of Desire. Koestenbaum, Wayne. [ML429.K74A3 1993]
• The Queer Composition of America’s Sound: Gay Modernists, American Music, and National Identity. Hubbs, Nadine. [ML200.5.H83 2004]
• Queer Episodes in Music and Modern Identity. Fuller, Sophie and Lloyd Whitesell (eds.) [ML63.Q44 2002]
• Queering the Pitch: The New Gay and Lesbian Musicology. Brett, Philip, Elizabeth Wood, and Gary C. Thomas (eds.) [ML55.Q44 1994]
• Something for the Boys: Musical Theater and Gay Culture. Clum, John M. [ML1700.C58 1999]

List compiled by Molly Royse & Kawanna Bright
UT Libraries’ Diversity Committee
January 2006